more biography


Martin Riches
Martin Riches belongs to that category of sound artists who do not use loudspeakers.
He is best known for his electro-mechanical sound installations, automatic musical instruments and machines that talk and sing in the same way as a human being - with air and resonant cavities. Other interests include CNC, crystal set radio, cryptography, clocks, hang gliders and kites.

Biography

The following list of events gets added to as the events occur and they have not yet been sorted out into separate categories like one-person shows, group shows, concerts, broadcasts or publications.

1973 Objekte, Texte, Kompositionen, Haus am Kleistpark, Berlin,
            with Eberhard Blum, flutes: Roland Pfrengle, electronics: Helmuth Krauss, voice.
1978 Machines, Galerie Andre, Berlin.
1980 Écoutez par les Yeux, Musée de la Ville de Paris.
         Theobald Boehm, Künstlerhaus Bethanien, Berlin, with Eberhard Blum and others
1981 Music-, Percussion- and Time Machines, Galerie Andre, Berlin.
1983 Music Machines, Institute of Contemporary Art, London,
            with Eberhard Blum and Roland Pfrengle.
         Klangaktion Museum Ludwig, Köln, with Eberhard Blum
         Concerto Künstlerhaus Bethanien, Berlin; Kulturhuset, Stockholm;
            Stedlijke Museum, Amsterdam; Museum Boymans-van Beuningen, Rotterdam
            with Eberhard Blum and Roland Pfrengle.
1984 Sprachen der Künste, Akademie der Künste, Berlin.
         Sound, Museum für Zeitgenössische Kunst, Basel
1985 Inventionen, Berlin, 3 Installationen mit Klangobjekte.
         Klangskulptur, Frankfurt, Bonn und Würzburg.
         Visuele Musiek Zesdaagse, Shaffy Theater, Amsterdam
         A Noise in Your Eye!, an international exhibition of sound sculpture
            Arnolfini Gallery, Bristol; Mapin Gallery, Sheffield; Huddersfield City Art Gallery
         Piece for Four Radios, Sprengel Museum, Hannover
         Concert with Music Machines with Tom Johnson, Ballhaus Naunenstrasse / RIAS
1986 A Noise in Your Eye! Cornerhouse, Manchester; Barbican Centre, London.
         Machine Dance, installation for the Production Technology Center,
            Frauenhofer Gesellschaft (PTZ), Technical University, Berlin
         Bericht '85. Staatliche Kunsthalle, Berlin.
         A Salute to Helga Retzer, DAAD Galerie, Berlin.
         Station Berlin, Berlinische Galerie, Berlin.
         Experimentelle Musik, im Loft, München,
1987 Echo Festival, The Images of Sound, Het Apollohuis, Eindhoven.
         Concert with Music Machines, Stichtung Logos, Ghent
1988 Wolfram Erber, Martin Riches. Kutscherhaus, Berlin.
1989 Musik und Raum, Institut für Neue Musik, Orangerie, Darmstadt
         Kinetische Kunst, Europäische Patentamt, München.
         Stationen der Musikalische Moderne Berlinische Galerie
1990 Spring Works, New York Hall of Science.
         Muzika, Akademie der Künste, Hauptstadt der DDR
         Berliner Kunststücke, Museum der Bildenden Künste, Leipzig.
         Die Neue Berliner Galerie, Berlin Hauptstadt der DDR.
         Biennale, Museum of Modern Art, Nagoya, Japan.
1991 Mit Anderen Ohren, Bauhaus Archiv, Berlin.
         Muzyka bez granic, Warszawa
         Berlin! und Berlin Sound Works Hugh Lane Gallery, Dublin.
         Concert, Kestner Gesellschaft, Hannover
1992 Man & Machines at the End of the 20th Century,
            Art and Robotics at Nagashima Onsen, Japan.
         Radio and Tape Installation, Brecht Zentrum, Berlin.
         Experimentelle Musik, TU Mensa, München
1993 Interface 2, Computergestüzte Visionen, Hamburg.
         Die Zukunft des Hörens, Berlinische Galerie.
         The New York School, Hebbel Theater, Berlin.
         Maschinen! Musik!, Museum der Bildende Künste, Leipzig.
         Multiple Arts, Maastricht.
         Logische Musik, Podewil, Berlin.
         Mediale, Deichtorhallen, Hamburg.
         Atelier de Creation Radiophonique, Paris, theme music: Tom Johnson
         Kopfhören, Radio DRS, Bern, theme music: Tom Johnson
1994 Klingende Dinge, Schloss Ottenstein, Österreich.
         Lento, Kunsthaus Essen.
         Pfeifen in Walde, Podewil, Berlin; 1997 in Luzern.
         Musica Mechanica, Musiktage, Donaueschingen.
         Linear Percussion, Akademie der Künste, Berlin, music by Tom Johnson.
         A Talk about Talking, text: Martin Riches, music: Tom Johnson. Radio ORF
1995 Time Machine, British Museum, London; Museo Egizio, Torino.
         The Machines, electrum museum, Hamburg.
1996 MotorMouth, Freunde Gute Musik, Berlin.
         Installation, Sender Freies Berlin in Sonambiente, Festival for Eyes and Ears.
         Martin Riches: The Machines: Hanns Zischler, Radio SFB3 / DeutschlandRadio 1997 Lange Nacht der Museen, Berlinische Galerie Postführamt
         In Medias Res, Photography and other Media Art from Berlin, Istanbul.
         In Medias Res, Cuba-Cultur, Munster.(no connection with the above!)
         Schall und Rauch, Akademie der Künste, Berlin.
1999 Interactive Art, InterCommunication Center, (NTT) Tokyo.
         AREALE, Japanese Ladies Light Orchestra, Brück / Linte, Mark Brandenburg
         20 Jahre Berlinische Galerie, Martin Gropius Bau, Berlin
           with Natalia Pschnitschnikowa, flute.
2000 Zeitreise, Audio Surfer, Akademie der Künste, Berlin. with Jost Muxfeldt.
         Outoäly >> Alien Intelligence, Kiasma, Museum of Art, Helsinki.
         Hello, can you hear me? for a school for visually handicapped children in Berlin
         Do It Yourself, singuhr galerie, Parochialkirche, Berlin: music by Tom Johnson.
2001 Orgel.+, Technische Universiteit, Eindhoven.
         Les Chants Mécaniques - musiques à voir L'Hospice Comtesse, Lille.
         Maschinen Theater, Städtische Museen Heilbronn.
2002 Installationen, Wittener Tage / WDR 3.
2003 Resonanzen II, Stadtgalerie Saarbrücken.
         Art Cologne, sound art, WDR / Museum in Glaskasten, Marl.
2004 Mutter Courage und ihre Kinder stage set, Landestheater Linz
         Maerzmusik: Mechanical Landscape with Bird, Sophiensaele, Berlin
            with Aleksander Kolkowski, the Kairos Quartett, 24 canaries and their
            trainer, Helmut Moßmann
         Maskinerne / The Machines Kunsthallen Brandts Kleiderfabrik, Odense, DK
2006 Concert with Roland Pfrengle and Steve Roden, Tesla, Berlin.

2007

2008

2009

2010

2011

2012

2013

Photo of the name plate of the Arts University,in Poznań photo of the two instruments looking out at the courtyard The two StringThing instruments looking out at the courtyard in Poznań.


photo of the Thinking Machine in the museum at Gifu The Thinking Machine in Gifu, Japan, with two of Masahiro's Matarisama Dolls.

2014

Asahi Hall, Flamme d'Or
The Flamme d'Or on the roof of
Philipp Starck's Asahi Hall Tokyo

Both concerts in Japan sold out, jam-packed full - here is an online report.

2015

2016

2017

2018

2019

2020

2021

2022

2023


grants, awards, residencies

1982 -89 -93 grants from the Senator for Cultural Affairs, Berlin
1986 Realisation of the project Machine Dance for the
  Production Technology Centre (PTZ) of the Technical University /
  Frauenhofer Gesellschaft, Berlin
1989 Residency at the New York Hall of Science with the project
  Pattern and Chaos.
1999 Interactive Art prize winner, InterCommunication Center (ICC/NTT) Tokyo
2000 Realisation of the project Hello, can you hear me? for a school for visually
  handicapped children in Berlin.
2001 Residency at the Hochschule für Media in Cologne awarded by the
  German Sound Art Prize competition.
2006 Guest at La Courbière, Estervayer-le-Lac, Switzerland.
  Residency with Roland Pfrengle and the Talking Machine at Tesla, Berlin.
2009 Residency at Burg Eisenhardt, Belzig, Mark Brandenburg.
2010 Residency at IAMAS, Institute for Advanced Media Arts & Sciences,
  Ogaki, Japan.
2011-14 Grant for Hybrid Music for Humans and Machines from the
  German Federal Cultural Foundation - Kulturstiftung des Bundes
2016 I was a guest at the Stadtgalerie Saarbrücken during the exhibition
  Two Measures of Time ...
2018 and again during the exhibition at the Saarland Clock Museum
2019 Residency at Tokyo University of the Arts, Department of Music.
2021 Grant from the Giesecke + Devrient Foundation.

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